ชื่อเรื่อง : | The Kingdom of Siam: The Art of Central Thailand, 1350-1800 | ประเภทของทรัพยากร : | สิ่งพิมพ์ | ผู้แต่ง : | Forrest McGill, ผู้แต่ง | สำนักพิมพ์ : | Art Media Resources Inc | ปีที่พิมพ์ : | 2005 | จำนวนหน้า : | 200 pages 11.9 x 8.7 x 0.7 inches | เลขมาตรฐาน ISBN /เลขอื่นๆ : | 158886085x | หมายเหตุทั่วไป : | co-published in the United States by the Asian Art Museum and Art Media Resources.
Catalog of an exhibit held at the Asian Art Museum in San Francisco from February 18 through May 8, 2005 and the Peabody Essex Museum in Salem, Massachusetts from July 16 through October 16, 2005. | ภาษา : | ไทย (tha) | | คำสำคัญ : | Art, Thai -- Catalogs. Buddhist art -- Catalogs. | เลขเรียกหนังสือ : | 709.593 | | บทคัดย่อ: | Introduction to the history and culture of the kingdom of Siam / Forrest McGill -- Siam's trade and foreign contacts in the seventeenth and eighteenth centuries / Dhiravat na Pombejra -- The Buddha images of Ayutthaya / Hiram Woodward -- The evolution of the memorial towers of Siamese temples / Santi Leksukhum -- Wat Ratchaburana: deposits of history, art, and culture of the early Ayutthaya period / M.L. Pattaratorn Chirapravati -- Ayutthaya painting / Henry Ginsburg -- Objects in the exhibition / Forrest McGill ... [et al.] -- The kings of Ayutthaya and Thonburi, and the early kings of Bangkok. | หมายเหตุเนื้อหา : | In 1686 King Louis XIV of France had the great Hall of Mirrors in the Versailles specially prepared to receive, with exceptional pomp and ceremony, a group of foreign envoys. The envoys brought with them two shiploads of gifts for the court. In fact, they delivered so many objects of gold, silver, and lacquer that the French complained that their list would be as long as a book.
The envoys had been sent from the kingdom of Ayutthaya, or "Siam" as it was known in the West. Though little remembered today, Ayutthaya was one of the largest and most important kingdoms of Southeast Asia. Founded in 1351, the kingdom flourished for more than four hundred years - longer than China''s Ming dynasty. It was a major trading center with diplomatic ties with China, Japan, Persia, and the Ryukyu kingdom (Okinawa), and, from the seventeenth century on, with Great Britian, France, the Netherlands, and Portugal. The envoys'' gifts reflected this trade activity - more than fifteen hundred pieces of porcelain (mostly Chinese), Persian, and Indian carpets, and many other objects from Japan and China were given to the French king and his relatives.
Despite the kingdom''s power, prosperity, and influence, it was completely destroyed by a devastating invasion from neighboring Burma in 1767. As a result, many Ayutthaya artifactfs, especially made of fragile materials, were destroyed, and the kingdom''s splendor gradually faded from memory. The Kingdom of Siam: The Art of Central Thailand, 1350-1800 - the first exhibition of classical art from Thailand shown in the United States in more than thirty years - collects eighty-nine of the finest surviving works from Ayutthaya, drawn from collections in Thailand, Europe, and the United States; many of these are being displayed for the first time in the West. They include stone and bronze Buddha images, sculptures of Hindu deities, figural and decorative wood carvings, temple furnishings, illuminated manuscripts, jewelry, and textiles.
Despite the length and importance of Ayutthaya kingdom, this period of Thai history has received little scholarly attention. This book, combining essays by leading scholars and entries examining each of the objects in the exhibition, at last sheds light on a one of history''s greatest, but least known, cultures.
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The Kingdom of Siam: The Art of Central Thailand, 1350-1800 [สิ่งพิมพ์] / Forrest McGill, ผู้แต่ง . - [S.l.] : Art Media Resources Inc, 2005 . - 200 pages 11.9 x 8.7 x 0.7 inches. ISSN : 158886085x co-published in the United States by the Asian Art Museum and Art Media Resources.
Catalog of an exhibit held at the Asian Art Museum in San Francisco from February 18 through May 8, 2005 and the Peabody Essex Museum in Salem, Massachusetts from July 16 through October 16, 2005. ภาษา : ไทย ( tha) | คำสำคัญ : | Art, Thai -- Catalogs. Buddhist art -- Catalogs. | เลขเรียกหนังสือ : | 709.593 | | บทคัดย่อ: | Introduction to the history and culture of the kingdom of Siam / Forrest McGill -- Siam's trade and foreign contacts in the seventeenth and eighteenth centuries / Dhiravat na Pombejra -- The Buddha images of Ayutthaya / Hiram Woodward -- The evolution of the memorial towers of Siamese temples / Santi Leksukhum -- Wat Ratchaburana: deposits of history, art, and culture of the early Ayutthaya period / M.L. Pattaratorn Chirapravati -- Ayutthaya painting / Henry Ginsburg -- Objects in the exhibition / Forrest McGill ... [et al.] -- The kings of Ayutthaya and Thonburi, and the early kings of Bangkok. | หมายเหตุเนื้อหา : | In 1686 King Louis XIV of France had the great Hall of Mirrors in the Versailles specially prepared to receive, with exceptional pomp and ceremony, a group of foreign envoys. The envoys brought with them two shiploads of gifts for the court. In fact, they delivered so many objects of gold, silver, and lacquer that the French complained that their list would be as long as a book.
The envoys had been sent from the kingdom of Ayutthaya, or "Siam" as it was known in the West. Though little remembered today, Ayutthaya was one of the largest and most important kingdoms of Southeast Asia. Founded in 1351, the kingdom flourished for more than four hundred years - longer than China''s Ming dynasty. It was a major trading center with diplomatic ties with China, Japan, Persia, and the Ryukyu kingdom (Okinawa), and, from the seventeenth century on, with Great Britian, France, the Netherlands, and Portugal. The envoys'' gifts reflected this trade activity - more than fifteen hundred pieces of porcelain (mostly Chinese), Persian, and Indian carpets, and many other objects from Japan and China were given to the French king and his relatives.
Despite the kingdom''s power, prosperity, and influence, it was completely destroyed by a devastating invasion from neighboring Burma in 1767. As a result, many Ayutthaya artifactfs, especially made of fragile materials, were destroyed, and the kingdom''s splendor gradually faded from memory. The Kingdom of Siam: The Art of Central Thailand, 1350-1800 - the first exhibition of classical art from Thailand shown in the United States in more than thirty years - collects eighty-nine of the finest surviving works from Ayutthaya, drawn from collections in Thailand, Europe, and the United States; many of these are being displayed for the first time in the West. They include stone and bronze Buddha images, sculptures of Hindu deities, figural and decorative wood carvings, temple furnishings, illuminated manuscripts, jewelry, and textiles.
Despite the length and importance of Ayutthaya kingdom, this period of Thai history has received little scholarly attention. This book, combining essays by leading scholars and entries examining each of the objects in the exhibition, at last sheds light on a one of history''s greatest, but least known, cultures.
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